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CRCE, vol. 6 (Lusitano 4)

Corpus of Recorded Counterpoint Examples (CRCE), vol. 6: Vicente Lusitano — 38 Solo Counterpoint Examples on Mensural Music (Skills, Vol. 4).

This page provides volume-based access to the recordings included in CRCE, vol. 6. For navigation across the full corpus, see the search interface.

Further down the page you will find the dataset description and editorial context. Playback and navigation may also be controlled via keyboard commands. The audio files may be downloaded here. Headphones recommended.

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Ex. 170 mensural_species
CF: · two_voice
01:04
Ex. 171 mensural_syncopated_species
CF: · two_voice
01:10
Ex. 172 mensural_species
CF: · two_voice
01:03
Ex. 173 mensural_syncopated_species
CF: · two_voice
01:03
Ex. 174 mensural_syncopated_species
CF: · two_voice
01:05
Ex. 175 mensural_species
CF: · two_voice
01:10
Ex. 176 mensural_syncopated_species
CF: · two_voice
01:04
Ex. 177 mensural_syncopated_species
CF: · two_voice
01:09
Ex. 178 mensural_species
CF: · two_voice
01:02
Ex. 179 mensural_syncopated_species
CF: · two_voice
01:04
Ex. 180 mensural_transformation_canon
CF: · two_voice
01:02
Ex. 181 mensural_transformation_canon
CF: · two_voice
01:05
Ex. 182 mensural_transformation_canon
CF: · two_voice
01:02
Ex. 183 mensural_transformation_canon
CF: · two_voice
01:03
Ex. 183 mensural_transformation_canon
CF: · two_voice
01:03
Ex. 183 mensural_transformation_canon
CF: · two_voice
01:03
Ex. 184 mensural_transformation_canon
CF: · two_voice
01:03
Ex. 185 adapted_added_melody
CF: · two_voice
01:03
Ex. 186 adapted_ostinato_fragment
CF: · two_voice
01:02
Ex. 187 adapted_ostinato_fragment
CF: · two_voice
01:03
Ex. 188 adapted_ostinato_fragment
CF: · two_voice
01:05
Ex. 188 adapted_ostinato_fragment
CF: · two_voice
01:04
Ex. 189 adapted_ostinato_fragment
CF: · two_voice
01:04
Ex. 190 adapted_ostinato_fragment
CF: · two_voice
01:02
Ex. 191 adapted_ostinato_fragment
CF: · two_voice
01:03
Ex. 191 adapted_ostinato_fragment
CF: · two_voice
01:03
Ex. 192 adapted_ostinato_fragment
CF: · two_voice
01:03
Ex. 193 adapted_ostinato_fragment
CF: · two_voice
01:03
Ex. 194 mensural_transformation_canon_retrograde
CF: · two_voice
01:03
Ex. 194 mensural_transformation_canon_retrograde
CF: · two_voice
01:03
Ex. 195 mensural_transformation_canon_retrograde
CF: · two_voice
01:04
Ex. 195 mensural_transformation_canon_retrograde
CF: · two_voice
01:04
Ex. 196 mensural_transformation_canon_retrograde
CF: · two_voice
01:09
Ex. 197 mensural_added_voice_canon
CF: · two_voice
01:03
Ex. 197 mensural_added_voice_canon
CF: · two_voice
01:03
Ex. 197 mensural_added_voice_canon
CF: · three_voice
01:03
Ex. 197 mensural_added_voice_canon
CF: · three_voice
01:03
Ex. 198 mensural_added_voice_canon
CF: · two_voice
01:03
Ex. 198 mensural_added_voice_canon
CF: · two_voice
01:03
Ex. 198 mensural_added_voice_canon
CF: · three_voice
01:03
Ex. 198 mensural_added_voice_canon
CF: · three_voice
01:03
Ex. 199 mensural_added_voice_canon
CF: · two_voice
01:03
Ex. 199 mensural_added_voice_canon
CF: · three_voice
01:05
Ex. 200 mensural_added_voice_canon_guidonian_cf
CF: · two_voice
01:04
Ex. 200 mensural_added_voice_canon_guidonian_cf
CF: · three_voice
01:04
Ex. 200 mensural_added_voice_canon_guidonian_cf
CF: · four_voice
01:04
Ex. 201 mensural_added_voice_canon_guidonian_cf
CF: · two_voice
01:04
Ex. 201 mensural_added_voice_canon_guidonian_cf
CF: · three_voice
01:04
Ex. 201 mensural_added_voice_canon_guidonian_cf
CF: · four_voice
01:04
Ex. 202 mensural_added_voice_canon_guidonian_cf
CF: · two_voice
01:03
Ex. 202 mensural_added_voice_canon_guidonian_cf
CF: · three_voice
01:03
Ex. 202 mensural_added_voice_canon_guidonian_cf
CF: · four_voice
01:03
Ex. 203 mensural_multiple_guidonian_cf_with_added_voice
CF: · four_voice
01:03
Ex. 204 mensural_polyphonic_model
CF: · two_voice
00:59
Ex. 204 mensural_polyphonic_model
CF: · two_voice
00:59
Ex. 204 mensural_polyphonic_expansion_high
CF: · three_voice
00:59
Ex. 204 mensural_polyphonic_expansion_high
CF: · three_voice
00:59
Ex. 205 mensural_polyphonic_expansion_low
CF: · three_voice
00:59
Ex. 205 mensural_polyphonic_expansion_low
CF: · three_voice
00:59
Ex. 206 mensural_polyphonic_model
CF: · three_voice
00:59
Ex. 206 mensural_polyphonic_model
CF: · three_voice
00:59
Ex. 206 mensural_polyphonic_expansion_middle
CF: · four_voice
00:59
Ex. 206 mensural_polyphonic_expansion_middle
CF: · four_voice
00:59
Ex. 207 mensural_polyphonic_expansion_low
CF: · four_voice
00:59

Editorial context

Dataset description

The Corpus of Recorded Counterpoint Examples (CRCE), vol. 6: Vicente Lusitano — Counterpoint on Mensural Music (Vol. 4) presents historically informed instrumental recordings of the counterpoint examples on mensural music transmitted in the fourth chapter of the Libro segundo of Vicente Lusitano’s counterpoint treatise (F-Pn Esp. 219, ca. 1550).

This volume forms part of the multi-volume Corpus of Recorded Counterpoint Examples (CRCE), a research corpus documenting historically informed realisations of counterpoint examples preserved in Renaissance music theory treatises. Owing to their scale and internal organisation, Lusitano’s examples are distributed across four separate volumes within the CRCE series.

Full dataset description, documentation, and citation information are available via Zenodo:

https://doi.org/10.5281/zenodo.18945232

The recordings from Lusitano’s treatise can be consulted within their broader editorial and analytical framework through the treatise-specific companion site:

https://lusitano.improvisedcounterpoint.com

Related volumes within the same research corpus, currently accompanied by treatise-specific editorial sites, include:

https://aranda.improvisedcounterpoint.com

CRCE, vol. 6. Corpus of Recorded Counterpoint Examples. Research dataset. Zenodo. https://doi.org/10.5281/zenodo.18945232